A Great Opening!

The moment finally arrived and the unveiling of An American Tradition took place, earlier this evening. After two years in the making it was difficult to realize that it was done – that my experience was over. But moreover was – as I put it to Stephnie during an earlier conversation, “it was time to launch the rocket.” Tonight was the moment when all the casual talk, of the project, was meaningless. It was the time when, as my mother would always say: “when the rubber meets that road.” It was, like the launch of a rocket, after months of work the moment of truth was staring me straight in the face.

The evening was my opportunity to share the culmination of this project with my wife, and my two youngest sons, Fletcher and John. Seeing them, sitting in the audience, reaffirmed how truly blessed I am. This evening was also an opportunity to acknowledge, and thank, all of those who played such a critical role in bringing everything together. Most of all, it was the opportunity to share this incredible story with others.

The evening began with an opening lecture, along with a video and slideshow. At the end of the presentation Jamie Head, and his wife Tammy, approached the stage and I stepped back to turn the podium over to her. To my astonishment, they were approaching to present me with a gift – one that has immediately found a prominent place on my walls.

I had mentioned, in a previous post, that Terry presented me with two “sticks” as I left the field for the last time. I was deeply touch, and moved, by the gesture. Tonight was equally moving and significant. They presented me with a framed tobacco leaf – a beautiful, and perfect, tobacco leaf, hand selected by Jamie Head. I stood on the stage unable to speak, for fear that the emotion I was feeling would break loose.

The Head Family has been one of the greatest Godsends, not only with regard to this project, but to me, personally, as well. I don’t know if I will ever be able to express my true gratitude in words. The project would not be what it is, if it weren’t for the Heads. They opened, for me, a world I knew nothing about, and invited me in – without judgment. They gave me free rein, within their domain, and allowed me complete access to their life.

So many times, when I am working on a project such as this, my subjects will try to put on a facade. The Head family never did. They were genuine throughout, and allowed me to capture that reality. The showed me, and now many others, what is still possible, and how important this vanishing way of life truly is.

Once again, An American Tradition is about the traditions of tobacco farming, and the traditions of family. As I stepped back, in the gallery tonight, I saw the family dynamic full on. As I met sons and daughter in laws, and even the new babies, the pride of the “family” shone through brightly. They are the Heads of Stroudsville, and they always will be.

Outside the museum, hanging as an eight foot banner for An American Tradition, is the color image of Hughes Head – the patriarch of this family, sitting in his chair stripping tobacco. Nothing could be more representational of the story that hangs inside.

In closing this chapter of this project, I want to thank The Head Family, once again, for their generosity, their honesty, and their willingness to let me in. To Hughes, Jamie, Terry, Johnny, Jerry, all the boys – and to Tammy P., my life is better for having known you all.

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Interviews Filmed:

11.11.10 / 9:25 p.m. What a wonderful way to bring this project to a close, for me. I spent the afternoon filming six interviews for the short video to open the lecture, and another to accompany the exhibition. I shot the interviews, one on one. Each subject sat in an old wooden dining chair, painted white but cracked from years of sitting in the stripping barn. Above them were dark brown tobacco leaves hanging from the rafters, freshly fired and cured. The floor of the barn was cleaned of all burnt saw dust and wood from the firing, but the heavy smell of smoke remained – permeated in the tobacco, the rafters, and the walls of the barn.

As I stood on the periphery of the barn, staring inward, I was struck with the thought of how much time my subjects have spent within its walls, and high in its rafters. As I glanced from time to time, at the dark blackened bark that still clung to the unhewn rafters, I reflected on how many loads of tobacco have been cured over the decades. All in all it seemed like the perfect place to film the interviews – even though nothing of what I have described is visible in the footage.

Tomorrow I will retrieve the last two prints for the exhibition, then begin the editing process for the film. In a few hours less than a week, I will have the great pleasure of turning this project over to those who have been my subjects. I have have the privilege of honoring them, and their families.

The journey is nearly complete…

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A Countdown to Celebration:

The time is dwindling rapidly until the opening of An American Tradition, one week from today. There is still much to do; one image is being reprinted, while another is being added to the collection. In a few hours I will be off to the stripping barn to film the interviews, then back home to edit. Fourteen framed prints have already been delivered to the museum, as of this past Monday, to await their rightful place on the museum’s walls.

Yesterday we were elated to learn that a reception, for the opening lecture, has been underwritten. Since the museum was having the official opening on Thursday evening, for members and special guests, their reception was slated for that event. Through the generosity of Bryce and Jody Sanders, a full catered reception will honor this special evening.

And as irony would have it, a small conflict has presented itself – one that brings a smile to my face as it exemplifies the American Tradition theme. It seems that Joe Burns High School football team is on their way to the championship playoffs, and may very well have a game the night of the opening lecture. My understanding is that it has been quite sometime since this opportunity has presented itself. Also, it seems that a few of my “star” subjects, were also “star” players, back in the day – for Joe Burns High School. Need I say more:)

Regardless, it will be an evening of celebration – and an opportunity to reveal a great story through images and words.

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The Final Days:

As the final weeks are rapidly transitioning into the final days, I began the printing process earlier this afternoon. After eight hours, I have emerged with two finished prints that were well worth the time and effort.

What made the process even better, was that the final printing is being done my dear friend Nick Dantona, who is – without a doubt, an absolute master of the process – bringing my true vision to the final prints. In seeing the final prints, I was reminded of how important this project has been, for me – and of its true power as a body of work. I was also reminded of how humbled I still find myself when in the presence of these men – even when that presence is represented in a photograph.

I still have the video interviews to shoot, then edit. I began that editing process yesterday, with the small amount of footage that I have already acquired. I have also begun to edit much of the footage – shot by Nikki McKinzie, of me in the fields shooting. I must admit that it was odd to see myself at work. Hopefully I will have a short piece, from that series, edited and posted soon to the main website, for An American Tradition.

Until next time….

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Soundtrack for An American Tradition:

This evening Stephnie and I had the great pleasure of spending time with Keith and Tammy Medley. Stephnie had been in contact with Keith, over the past several weeks, feeling that he was the perfect person to create the soundtrack for An American Tradition.

Keith’s work is truly phenomenal, but meeting him in person, along with his wife Tammy, solidified, for me, that he was indeed the perfect person for this role.

Keith’s background has tobacco at its roots, and his understanding of this project was completely on target. But far more important, than all of that, is Keith and Tammy’s core as human beings. They came into our home, and illuminated it a little more, just by being here. We spent several hours on the deck, eating dinner, savoring every morsel of dessert, all the while engaged in conversation that remained without boundaries.

I look forward to the possibilities of what this soundtrack brings to the project. As I said to Keith, the soundtrack is one piece that I cannot give to the work, yet it is as essential as the images I create.

Over the next four weeks I will be bringing this project to its fruition – at least its initial fruition. Interviews will be filmed. Editing, printing, matting, and framing will ensue. This time has flown by, as I knew it would, and I am beginning to feel the trepidation of it all. It has become far greater than me, which is as it should be. And now the final piece is falling into place.

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A Day of Stripping:

I was moved, once again, today as I spent time in the stripping barn photographing and shooting video. Mr. Head was there (Jamie and Terry’s dad), sitting in the center chair – the only chair, stripping tobacco and tying the hands. Age kept him from working in the fields, but I would venture to say that, nothing, could keep him from the barn.

For me it was an honor to be there, to share in this time – this experience, and to be able to photograph him doing what he loves.

It was clear, as I watch him strip the leaves,  bundle them in one hand, then bend to select a leaf to use as a wrapper, then tightly wrap the end of the bundle – securing it. His hands moved by rote – from years of repeating this task over and over, but it was the gaze in his eyes – if one watched closely enough, that told the story of a man’s life.

It was clear that memories prevailed and flowed through his mind, possibly like a film that caught his attention, of a life long-lived. His relationship with the tobacco, as he stripped it, bundled it in his hands, and tied it, was one that he had shared many times with this companion – almost like a life long friend. As I continued to watch I was reminded of watching the very same process, several months ago, with one of his grandsons sitting in the same chair – in the very same location, carrying on the same tradition.

Sitting here, just a short time ago, editing through the images from today, I was pleased to see that I was able to capture some of what I experienced in the stripping barn this afternoon – so that I can share it with you.

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The Fields Are Finished:

Tuesday afternoon was my final day in the fields. The scaffold wagons were full and, even though much more tobacco laid cut in the fields, there were no more empty wagons remaining. All were filled to capacity and sitting at the bottom edge of the field waiting for a ride to the barn. As the men returned their knives to the buckets, I began my journey back to the Expedition, parked near the waiting wagons. As I passed by, Terry walked toward me and handed me two, well-seasoned, sticks that were too bowed to any longer hold tobacco. He handed them to me to take with me.

As odd as it might sound, to some, that was a moment, and a gift, that I will carry with me until my days are gone, and for reasons that I would have difficulty putting into words upon this page. There is something that happens, out there in the fields and in the barns – something that I can’t quite explain, but I will try. When I was in the barn Tuesday morning, to photograph them hanging tobacco, they were one person short. As soon as I was at a point, that I could put my camera down, I stepped in to lend a hand. There was no second guessing it. In fact, there was truly no way that I couldn’t. And this was no sacrifice on my part. Internally, I had no choice. As odd as it might sound, had I not, I would have been letting myself down. And as much as the work was arduous, it felt good to be a part of something greater – and in that was a great strength.

For me, and for this project, the Head family has been a Godsend. They have added a depth to this story that I had no way of envisioning in the beginning. Next week I begin filming the interviews, and then onto the editing process. Selfishly I am hoping to get in on one more firing before it is finished. I freely admit that I will miss this, when the project is through, but at least I will always have two [well - seasoned] sticks to glance at – and smell, hanging from my office wall.

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Seeing Without Color:

The photographing is nearly finished, although I have no doubt that one will still find me in the fields, or in the barns, with a camera to my eye. Over the coming weeks, however, I will continue to shoot video and film the interviews as well, for the video documentary that will accompany the exhibition.

When I began this project I saw the images as being black & white. As time as progressed I found myself being drawn into the color of everything that surrounded me. A few months ago, before I returned to the fields, I found myself faced with a dilemma; “how do I combine the two?

As time went on I found myself gravitating more toward the color imagery, and had all but resigned myself to print the majority of the images as such. However, earlier this evening, all that changed. I was having coffee with a good friend of mine, Robert McCurley, solely for the purpose of catching up. It seemed that immediately the conversation turned toward An American Tradition. After several lengthy dissertations of my experiences that surrounded this documentary, Robert asked the fatal question: “Are these going to be in black & white?”

My immediate response was; “well Robert, that’s how it started out but, now I feel that color is far more powerful.” With that answer in his ears, he turned his head slightly to his left, raised an eyebrow, and respectfully questioned my answer.

With that I opened the laptop and presented him with an images that, I felt, strongly represented my case. It was an image of Jamie Head holding two freshly cut tobacco plants and looking up at a storm that was fast approaching.

As Robert held his ground, he explained to me what he saw. According to Robert, the black & white image took tobacco out of the visual equation, and allowed the image to be about the person, which is what I had declared was my intent with this project, and he was absolutely right.

We went through several other images, and in each instance – barring one, Robert’s theory was right on the money.

I had become so close to this project and I began to relate, what I saw in the fields, with the images that I was presenting. For me, as I realize now, I had allowed the tobacco plants to become as much of the subject as the people who were harvesting. I had allowed the lines to blur – in how I presented the visual story to my viewers, as they had for me as I became so close to it all.

For the past couple of hours I have been busy re-editing, and rethinking which images I will use to present this story. The scenes I have experienced in the fields have been, at times, overwhelming in their power. My desire is to give the viewers that same opportunity – and that can only be accomplished if they are permitted to know the [people] through the photographs.

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An American Tradition Continues Forward:

It has been several days since I lasted posted to this blog. It has also been several days since I have been out to the fields or the barns. All of my photographic shooting is finished, however there is still video to shoot and interviews to make.

As I may have already mentioned, in a previous post, the exhibition will contain two videos, in addition to the 17, or so, photographic images that represent the traditions of tobacco farming.

The prime video will consist, primarily, of interviews with farmers, family members, and people within the industry. The second video will be a short (probably 10 minutes, or so) documentary of me, and the making of An American Tradition. More importantly, however, is that the short documentary will deliver the real story – behind the story.

As I have mentioned in previous posts, I have gained a great deal of admiration for the people who devote their lives to this endeavor, and I have learned that tobacco, and even farming itself, are but ingredients of a much deeper story that truly does deserve the title An American Tradition.

This morning I met with Paul Hart, at the University of Tennessee Extension, here in Springfield, Tennessee. Paul is the person who brought all of the elements together, for me, in the very beginning when I was trying to get this project off the ground. More than two years have passed since Paul and I talked, and being able to bring this project to him, earlier today, was of great reward to me.

As I explained to Paul just what An American Tradition was about, he smiled and shook his head in agreement. I have had the same response from everyone who is directly connected with this tradition, reaffirming that I was on the right track, from the beginning, and that I have pulled it off.

There is more to do, and these confirmations have only given me the incentive to make it even better. This is one of those stories that shapes one’s life for having told it, and mine is certainly different than when I began.

Until next time…

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A Day Worth Waiting For:

Since beginning the harvesting portion of this documentary project, I have been presented, continually, with the challenge of lighting. The high sun of a clear sky, to be exact. To make matters even more frustrating – photographically speaking, the sun, at this time of year and in this part of the United States, doesn’t get low until well after the workers have finished for the day.

I received a call from Terry Head – one of the brothers who own, and work, the farm. he said that they would be “heavy firing” a barn this evening if I wanted to photograph it. he also mentioned that they would be in the fields, cutting, until about 6:00p.m.

As I watched the sky, heavy with clouds throughout the day, I saw my potential opportunity to have light, without the harshness. By 3:30p.m. I was en route to the field. As I drew near rain began to cover my windshield. “Oh no”, I thought, “please don’t let them cancel the harvesting.”

I continued the drive. By the time I reached the field, the rain had moved on. The humidity was still quite high, but the ambient temps were only in the high 80’s.  This was a blessing all around!

Finally! I was able to shoot from any angle that I desired! It was a dream come true. As the sun fully exposed itself, I decided to turn to shooting video segments off to the edge of the field. I had what I came to get.

After they finished work in the field, everyone packed up in their trucks and headed for the barn.  Just as I arrived, Jamie and Terry were there to greet me. The first thing they asked was: “do you want to see inside the other barn that we fired four days ago?” “There’s a small door on the back side.Just open it and look through.”

As soon as I agreed to look, Jamie said, “Come on, I’ll take you back.” As we arrived at the back side of the barn, Jamie opened the small door and, immediately, climbed through and told me to follow. Without hesitation I followed almost on his heels.

Inside the pitch black darkness of the barn, small glowing embers could be seen sporadically from one end of the floor to the other. The smoke was thick, and the air was hot. My eyes burned and my lungs rebelled violently, and painfully, but I wasn’t about to leave this opportunity.

Almost immediately after entering, Jamie turned on his flashlight and began shining it upwards onto the tobacco plants. The light illuminated the smoke and the browning tobacco leaves simultaneously. It was incredible to be in there.

Finally I had to get air. My lungs demanded it to a point that I could no longer refuse them. I stepped outside, breathed in deeply, then returned inside to make my photographs. Once finished, we both exited the barn, sealed the small door, and walked back to the other barn, where the process had begun.

Long sections of split wood were carried, one or two at a time, and laid lengthwise on the dirt floor of the barn. Then a second layer of small strips were laid to fill in the spaces left by the larger pieces. Once the floor was covered, bundles of dried tobacco stalks, from last year’s harvest, were placed strategically from one end of the barn floor to the other. The a thick layer of sawdust, approximately 10 – 12 inches thick, was placed over the wood and bundles of stalks – being careful to keep the ends of the bundles exposed.

Once the floor was completely covered, all but one of the barn doors was closed, and sealed. Dirt was carefully shoveled to seal the base of the doors, so that no air could penetrate. Once sealed up, Jamie entered from the remaining opened door and, one by one, poured diesel fuel on the exposed ends of the stalks and, with a small torch stick, lit the stalks ablaze. A glow began to permeate the interior of the barn, followed by trails of smoke making their way upward through the packed tobacco leaves hanging from the rafters above.

After each bundle of stalks was lit, Jamie sat the the interior edge of the barn, near the remaining opened door, and watched as the flames grew, keeping his fingers crossed that they would burn down to the wooden slats beneath, to begin the burning process.

Smoke continued to rise, getting thicker by the moment. I grabbed the tripod and went into the center of the barn – to capture the beauty of the process. The smoke, much like the previous barn, was thick. My eyes watered and burned intensely, but I wanted these images. I couldn’t leave until I was certain I had them.

It was incredible! Being a first-hand witness to the process – the process that these men have witnessed repeatedly for decades, just as their father before them had witnessed. And now I was a part of the initiate. I had been given the right to observe, the privilege to take part – the privilege to bear witness and tell the story.

Today… was another good day, and once again I am blessed.

Until next time…

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