Southern Light / Statement of Work
As an artist, transplanted from the northeastern part of the United States to the South, I have become acutely aware of the influences that have profoundly affected the work I produce. These influences have not constituted changes to the very core of my creativity, but instead, have added layers and nuances - expanding the palette from which I see the world.
In approaching “Southern Light” I chose to incorporate The South as my subject matter. Working as a documentary photographer for the better part of my 34 year career, I felt the need to deeply explore this aspect of our nation’s culture and heritage - to find it’s [significance] and translate it for all to understand.
This body of work has spanned a period of 3 years; beginning in 2008, and continuing through to the present. Through the editing process, I gained the realization that I have been able to create these images both as an outsider looking in, as well as someone who lives within, and is gazing around.
This work is about creating a dialogue, a common language. Some of it has been addressed with controversy due to its subject matter: tobacco, and religion - two very present and powerful aspects of life in The South. But this body of work has also brought significance and a positive light to much that has been mis-perceived. Mis-perceived not only by those from the outside but also by many who have always lived within.
As a documentary photographer my role has always been one of a storyteller. With this in mind, I have incorporated the inclusion of Quick Read Codes to each image. By incorporating this technology, I am able to further enhance the viewer’s engagement by giving them an additional aspect of involvement. Through the use of these codes the viewer will be given access to short, subjectspecific, video clips - thereby taking them deeper into the print hanging before them. Best of all, these videos can be bookmarked, allowing the viewer to revisit their experience as often as they desire, as well as to share with others.