Brother and Sister

I was in Chicago to present a lecture at the annual Filter Photo Conference. As is my ritual, I head off somewhere before my lecture in order to clear my head, and get focused on my presentation.

With about 90 minutes until I was scheduled to begin, I grabbed my camera and walked out of the hotel, turning left onto Michigan Avenue. The sidewalk was filled with people moving in a chaotic form, each oblivious to the other.

As I walked I found a rhythm in navigating my way through the frenetic stream of the pedestrian torrent. Ahead I saw what seemed to be a woman doing pushups on the sidewalk. These glimpses, broken into segments by people sporadically darting across my field of vision, made it difficult to discern for sure what I was seeing.

Sure enough, as I approached closer, the woman was now sitting with her back against the municipal trash bins. In front of her was a cardboard sign that stated: “I will do 10 Full Body  Push ups for Thank $10.00. One Push Up = $1.00”. “Donations Against Abuse”. “All Money Earned Goes to Domestic Shelter”.

I wanted to stop - to talk with her and hear her story. I also wanted to tell her how much I admired her for the way she approached the situation, but there was too much chaos. She was positioned at a major intersection of traffic and pedestrians. Instead I continued along Michigan Avenue then crossed over to walk down a side street. There I found a small coffee house. I ordered a doppio espresso, which is also part of my ritual when available. With my espresso in hand I found a stool to sit on at a small high round top table.

I sat there commiserating the fact that I had not made a photograph of the woman, and not recorded her story. Unable to relax, I drank the espresso in two tips of the cup, then left the coffee house to make my way back to Michigan Avenue - hoping that she would still be there.

Sure enough as I approached the corner I saw here once again doing pushups. I positioned myself at the periphery of people until the woman finished. When she stood up I approached her - reaching out my hand to introduce myself.

Woman doing pushups on the street

“Hello”, I said. “I’m David”  “I am blown away by what you are doing here!” Do you have a minute to talk?” I asked.

“Sure”, she replied.

With that I saw a man approaching her somewhat quickly. She reached out her left arm in his direction, and as he drew close they embraced one another.

brother and sister on the corner in Chicago

“This is my brother”, she told me. 

“Hello” I said to him; but his response was just a stare - still clinging to his sister.

I asked if I could make a photograph of the two of them, to which she agreed. Then she told me their story.

They were brother and sister. When they were young she was abused physically by their father. Each time the brother would step in to protect her - at his own peril. When they finally left home he eventually became homeless. She moved onto the streets as well - this time to be his protector.

 

Letting Go!

May 13, 2021

It was a day with no assignment work. In fact, it had been a week since I photographed the sheep shearing, and it would be six more days until I photographed the second one. Most of my days, in-between, had been spent running errands - such as dropping off film for procession, and of course domestic errands. But you must understand that “running errands” is not a casual as one might think. To drop film off at the lab, run to the grocery store, and make a stop at Sam’s Club, is a full-day event, and logs in about 450 mile - roundtrip.

But on Monday, May 10th, I decided to take a day just to make pictures, and to explore! I pulled out of the driveway at 6:00 a.m on the dot. And 12 hours, 24 minutes, and 47 seconds later - after having logged 405.2 miles of backroads, off-roads, and interstate highway, I pulled back into the driveway that I had pulled out of that morning.

My first stop - approximately 36 miles into the drive, was along Highway 191. I had been wanting to make a photograph of this sign for nearly a year. The problem has been in the timing. I had a window of about 20 minutes to access the ideal light. 

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For me, this sign was the quintessential statement for the Dine’, with regard to fighting COVID.

Just another couple of miles along 191 I pulled onto my first dirt road. It is known as the ‘road to Nazlini’. There I was treated to the most magnificent vista - enhanced by the perfect timing of the sunrise.

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My next stop, which had nothing to do with photography, but rather it had everything to do with tradition; it was a drive through stop at the Burger King, for a breakfast sandwich, tater tots, and a coffee.

My next photographic stop was not for another 90 miles, or so. Again, it was a photograph that I had been wanting to make for several months. This time I timed it [again] for the perfect light. It was a roadside tourist attraction, and gift shop, that touted its Petrified Wood - which was only a natural thing to do since Petrified National Park is only 10 miles, or so, to the east. Much to my surprise, the place was out of business, however, the photo op was still available!

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Not far from the, now defunct, Petrified Wood Souvenir Shop was another abandoned establishment: the Painted Desert Motel. It’s demise, as I would think was also the demise of the souvenir shop, was the creation of the I-40, which replaced much of the Historic Route 66.

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What intrigued me, as I walked around the abandoned motel property, was the remnants of what had once been there: pieces of children’s toys, mattresses, furniture, a few suitcases, and a variety of other left-behind objects.

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From there I continued west, on the I-40, to a place that I had photographed on my first-ever trip out this way - some four years ago. It was the “Meteor City” road side attraction - also now just a ruin. Since the light was good I decided to spend some time making photographs. There is something about these places that intrigues me. And they also fill me with a sense of adventure, exploration, and even [I suppose] a bit of voyeurism, in a sense. 

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Just another six miles, or so, back on I-40, I exited the interstate - turned left, and drove for another six miles to the Meteor Crater attraction. I just admit that it was amazing. On one hand, it is just a big hole in the ground. But when you realize that it was made by a meteor impacting it, 50,000 years ago, it becomes much more intriguing. It is also where the Apollo Astronauts trained for their missions to the moon.

At this point of the journey I turned back to the east, stopping in Winslow. This time it was not to photograph “the Corner”, which has become a very famous tourist spot because of the song, “Takin’ It Easy”, by The Eagles. Instead, I stopped for a bite to eat, at a cafe/restaurant that I had discovered four years ago while out there on assignment. A “New Mexico Dog” is what was the special for the day: a fantastic hot dog, with Green Chili’s, and Cream Cheese! Yes… I did take a bite before photographing it.. I was hungry!

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After a leisurely lunch I left Winslow and, rather than returning to the interstate, I decided to drive northeast, on Highway 87 - but not before making a quick stop to photograph the Trading Post, which sits at the junction.

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About 26 miles, along Highway 87, I turned right onto Dilkon Road. This road passes through the back side of the extinct volcanos, and rugged landscape. The views are beyond breathtaking. This is a road that I have travelled many times, but never at the optimal time for photographing. On this day I made sure that I timed it as perfectly as I could.

The wind, by now, was gusting regularly, and near-constantly, at about 30 - 40 mph. In no time at all my mouth, my nose, and my eyes were caked with the fine dirt that becomes airborne, and ferociously penetrating when carried by these winds. I stopped in several locations to make photographs; and this is where I really made use of my various film cameras - including the 4x5 view camera.

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That was the last location that I photographed that day. Clouds began moving in, even as I was photographing there. But it was ok. By this time I had been photographing, on and off, for about 10 hours! 

It was indeed a day filled with magic! The kind of magic that can only come from letting go…

Tomorrow I do an errand run again - back to Flagstaff, to drop film off at the lab, and retrieve the film that I had processed. This Sunday I will photograph the second sheep shearing - at Helen Grayeyes’. As much as I am looking forward to photographing the shearing, I look forward, even more, to see Helen, and her sister, Alice, again…

Until next time….

_David

Map of my route…

Map of my route…

Time In The High Desert

The High Desert is much different than all of the other types of deserts. The most noticeable is that there are no large  cactus here. In fact, the only cactus found here are small, and low to the ground. But the color palette is one that soothes my soul just by being surrounded by it. And then there is the [light]. It is the quality of light that has been sought out by artists, and painters, for centuries - especially the early morning, and late evening light. There is the silence, accentuated by the subtle sounds of small birds, or the occasional passing dove, or Raven. Even the near-constant breeze, which sometimes escalates to a wind, has its own sound, that is perfectly compatible with everything else. And when the breeze pauses, there is a stillness that is felt with the entirety of one’s being.

The tan color of the earth holds a visual background to the blue-greens of the sage. Dotted about the landscape are small, dome-shaped bushes covered in tiny yellow tips.

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And the occasional deep green of the Juniper Cedar Tree that looms above everything else - but as one draws closer, the heavily textured, and twisted surface of their trunks is a visual splendor in, and of itself. As one walks across the High Desert landscape, they will be treated to tiny flowering plants, that remain close to the ground, each bearing tiny flowers - some yellow, and some purple. These offerings cannot be scene by the viewer who simply stands at the edge, and gazes at the overall. These gems are only for those who venture into the landscape - to experience it as nature intended it.

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And then there is the rejuvenating scent of sage, as one wraps their hand, ever-so-gently around the tops of the plant, as they continue to walk. The skin is embed with the scent, that one can hold to their nose, and breathe in deeply - time and time again. When the scent fades, simply allow the hand to rub over the tops of another plant.

When one stands back, and observes the landscape of the High Desert, overall, it appears as a soft palette of color, and texture. But when one explores closely, one is made aware of the resilience, to the harsh environment, that is built into each of these plants. Root systems, of these plants, for the most part, grow straight down, into the earth - for any semblance of moisture, and to protect themselves from the harsh rays of the intense sunlight.

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Yesterday I spoke with my friend, Peter, who explores the nuances of the desert, frequently. Peter is also an aficionado in the art of Bonsai - and is currently experimenting with desert plants that have already had their growth stunted, by the harshness of the environment. he told me of small specimens, that he has come across in the desert, that are as young as 25 years, and as old as 100 years, or more. “They grow slow here”, he said. “But transplanting them from the desert environment, into pots, is difficult”, he continued. “They tend to not survive”.

As I walked in the desert, earlier this afternoon, I began to look at the plants from Peter’s perspective. I came across one (that I felt compelled to make a photograph of]. I have even been contemplating returning to it, and attempting to retrieve it. It is situated in the center of two worn tire ruts in the dirt road. It seems that its only connection to the ground is one center root that has gone deep. the other roots are fully exposed, and driftwood-dry. The plant, even though it appears to be old, is only about 12 inches high; but still it manages to, not only survive, but to bloom its tiny yellow flowers.

I had also brought back with me, from this excursion into the desert, a small piece of tree trunk, or tree branch, that is excessively dried, and weathered. It is only about eight inches in length, or height (depending on how one views it), but it has such a beauty to it. I want to photograph it with my large-format camera when I return home.

The rains have begun again.